A program like no other, straddling the timeless beauty of J.S. Bach on saxophone and the power of electronic musical instruments, immersed in breathtaking bright red visuals: a concert between classical, minimalism, jazz and electro, in a glowing and incandescent red visual setting.
J.S. Bach
cello suite n.1 BWV 1007 (sax transcription)
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Matthieu Mantanus
Suite urbaine for cello or sax and electronics
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Jacopo Taddei, saxophone
Matthieu Mantanus, synths & electronics
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Philippe Berbier, visual universe
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55 min without a break
The artists
Jacopo Taddei is one of the leading Italian saxophonists on the international classical scene. Called a "sax hero" by Corriere della Sera, he is appreciated for his brilliant technique, combined with delicacy and exuberance.
After starting out with the Portoferraio Philharmonic Orchestra, he studied with Valter Barbieri, Francesco Mondelci, and Marco Marzi, graduating with honors and honorable mention from the "Giuseppe Verdi" Conservatory of Music in Milan.
He is a member of the SIGNUM Saxophone Quartet, with which he regularly performs on international tours. The quartet's latest album, Chameleon, was released on the Berlin Classics label in 2024.
Winner of 26 first prizes in national and international competitions, including the CIM International Music Competition in Barcelona, ​​the Francesco Cilea Prize, the Enrica Cremonesi Competition, the Gran Prix Povoletto, the Salieri Zanetti International Chamber Music Competition, the Soroptimist International Prize, and the Saverio Mercadante International Competition, he has received recognition for his talent from a very young age, including the prestigious Claudio Abbado Prize and the Milan Conservatory Prize. In 2015, at Umbria Jazz, he won a scholarship to the Berklee College of Music in Boston, where he was awarded a further substantial fellowship.
He has collaborated with orchestras such as the Orchestra del Teatro alla Scala, the Accademia Nazionale di Santa Cecilia, the Orchestra della Toscana, the Orchestra Filarmonica della Scala, the Orchestra UniMi, the Divertimento Ensemble, and the Roma Tre Orchestra, under the direction of Riccardo Chailly, Antonio Pappano, Daniele Gatti, Yuri Bashmet, Thomas Brock, Filippo Korobov, and Igor Dronov, among others.
He has performed in prestigious venues in Italy and abroad, including New York, Miami, Hong Kong, Australia, Germany, Argentina, and Switzerland, and has appeared on Rai Radio 3, Rai 5, RaiPlay, and Radio Popolare.
He was Artist in Residence for the Società dei Concerti di Milano and is an official spokesperson for Henri Selmer Paris. He has dedicated works to Claude Delangle Lauba, Fabrizio Libetta, Azio Solbiati, Valerio Montalti, Riccardo Esposito, Federico Ciurlo, Edoardo Imondi, and Francesco Falleri.
In 2017, he was awarded the Medal of the Chamber of Deputies in recognition of his talent. Since 2019, he has been principal soprano saxophonist at the Teatro Regio in Turin.
Matthieu Mantanus is a swiss pianist, conductor and composer, ex-associate conductor for Lorin Maazel at Castleton Festival, founder and artistic director of the JeansMusicLab, JeansMusic Festival in Italy, and the Amis de la Musique d'Aigle et du Chablais association in Switzerland.
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Mantanus began a career as a pianist – noteworthy is his concert in the Sala Verdi in Milan with the Concertgebouw of Amsterdam; however, he quickly developed a passion for conducting which led him to study in Rome under the tutorship of Bruno Aprea as well as under Giuseppe Sinopoli, later becoming one of his assistants. During this formative period he attended numerous masterclasses, including with Jorma Panula (Schleswig-Holstein, Salzau) and Gianluigi Gelmetti (Accademia Chigiana, Siena). In 2009, Lorin Maazel invited him as a fellow to his Castleton Festival in Virginia, USA. Mantanus the became Maazel's assistant in Italy and in Washington D.C. for productions by The Petruzzelli Theatre of Bari. Maazel also appointed him as his associate conductor for the Castleton Festival.
In 2009, after four years working for The Symphony Orchestra of Milan Giuseppe Verdi, conducting outdoor and family-orientated concerts, Mantanus made his debut on the podium of the Orchestra della Svizzera Italiana. He also held the post of principal conductor for the Orchestra of the City of Ravenna for five years. He worked with numerous orchestras on a wide variety of productions including Cagliari's Teatro Lirico, Como Sociale Theatre with the Orchestra 1813, Filarmonica Toscanini, Pomeriggi Musicali at Milan's Dal Verme theatre and Tito Schippa's Orchestra in Lecce, and contemporary opera at Biennale Musica 2016 in Venezia.
Matthieu Mantanus holds a deep and enthusiastic commitment to musical innovation, and for increasing the accessibility of classical music to the general public. During the 2014-15 season he went on air in prime time on the Italian national TV channel RAI 3, leading the Jeans Symphony Orchestra - which he founded himself - in presenting five short concerts. And the formula worked. Audiences approached one million viewers per evening. The following year he presented for the sister channel RAI 5 a whole series of live broadcasts from theaters around Italy featuring the world and works of Italian theatre, included the prestigious La Scala Opening Night.
Matthieu Mantanus has also authored a number of books aimed at a broad public audience including Una giornata eroica - A Heroic Day - (Feltrinelli, 2009 - translated into Chinese and Korean), Beethoven e la ragazza con i capelli blu – Beethoven and the Blue Haired Girl - (Mondadori 2016 - translated into French under the title “Beethoven et la fille aux cheveux bleus”) and Rossini! (Feltrinelli 2018).
In 2013 he founded JeansMusicLab Productions to bring into life the innovative musical shows he has created: these include Revolution! (2014), Intimacy (2015-2016), BachBox (2018), Baroque Reloaded (2019) and Nocturnes électroniques (2023). The creation of the show BackBox saw Matthieu first experiment with electronic music. Here he discovered, elaborated and embraced a brand new sense of expression through a surprising and very personal musical language. The show Baroque Reloaded followed the next year, premiered in Festival Pergolesi Spontini in 2019. In 2020 was published his second EP, Sound of elements. In 2021, he wrote his first work for (non amplified) orchestra, synths and electronic, This is no Mozart.
Since 2021, he programms the JeansMusic Festival in Apulia (Italy), presenting the crosspoint between classical and contemporary creativities.
In 2020 Matthieu moved back to Switzerland after nearly 20 years abroad, and founded in 2022 Les Amis de la Musique d'Aigle et du Chablais (www.amisdelamusique.ch), which first season has started in septembre 2022.
Within this organisation, he gathered the Shaping Sound Collective, creating in 2023 Wofgang's Dream and in 2024 BreakBachDance.
Philippe Berbier, born in Paris, is a graphic designer and illustrator, art teacher, and musician. Passionate about culture, current events, and social issues, he is eager to share his ideas, explore diverse creative avenues, and communicate them with the public.
His insatiable curiosity and ability to stay abreast of the latest cultural trends and current events allow him to offer a fresh and relevant perspective that stimulates debate and reflection in today's society.
Tech rider
PA (L/R + sub) according to the venue
Table 120 x 80 for the synths
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Beamer (DLP) min 5k lm (inside) / 10k lm (outside)
Projection area 6 x 4
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www.shapingsound.org
booking@shapingsound.org
RED has been produced thanks to
